Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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John brett,a.r.a
Stonebreaker

ID: 79313

John brett,a.r.a Stonebreaker
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John brett,a.r.a Stonebreaker


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John brett,a.r.a

1830-1902   Related Paintings of John brett,a.r.a :. | Classical hunting fox, Equestrian and Beautiful Horses, 132. | Portrait of Maria Josepha Hermengilde | Moonlight over the Port of Boulogne | The Graham Chidren (mk08) | Diane sortant du bain. |
Related Artists:
Robert Dodd
English Painter, 1748-1816, English painter and engraver. He exhibited at the Society of Arts from 1780 and at the Royal Academy, London, from 1782 to 1809. He had gained some reputation as a landscape artist by 1771 but soon concentrated on marine scenes. He became a ship portraitist and above all a prolific recorder of naval actions in the American and French Revolutionary wars such as the Sinking of the 'Vengeur de Peuple' at the Battle of the Glorious First of June, 1794 (1795; London, N. Mar. Mus.). He was also praised for his handling of storm scenes, notably a series depicting the loss of the Ramillies in the West Indies hurricane of September 1782 (1783-5; London, N. Mar. Mus.). His work was engraved by others but he also executed over 100 plates himself, mostly in aquatint, including views of the naval dockyards at Chatham, Woolwich and Deptford and also of the Thames at Blackwall and Greenwich, the last-named based on his oil painting of 1792 (London, N. Mar. Mus.).
George Cooke
English Engraver, 1781-1849 Born in Maryland, Cooke abandoned a fledgling career in business at an early age in order to become a full time artist. After several years of painting portraits for a living, Cooke left for what would become a five year tour of Europe. His time there was mostly spent learning from and copying the works of the Renaissance master artists, with many of Cooke's copies being sent back to the United States for show or sale. After returning to the U.S., Cooke and his wife spent the next decade traveling and working with no fixed home. His work took him throughout the Southern United States, where he primarily made his living painting portraits of both famous and ordinary people, and, by the 1840s, his portraits had earned him both financial success and regional fame.
Max Arthur Stremel
painted Giudecca, Venedig, Kanalansicht in 1914






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